Andrea Carter Brown

Dowry II

October 4. Cannons wake me at dawn.

Every minute for almost an hour, explosions 

like those coming from inside the Towers

before they collapsed. It’s hard to escape

 

that day. Later that night, at a dinner party,

someone tells an amusing story about

airport security the months after 9/11.

Everyone laughed. Me, too. Enough time

 

had passed by for that. Conversation moved

quickly on, but it took me a while to catch up. 

Twelve years ago today I was determined

to visit Dad’s grave on the first anniversary

 

of his death. Headstone not yet set, earth

bare, muddy from recent rains. At the base,

where his feet would be had he not chosen

to be cremated—more afraid of insects

 

than fire—sits the plaque showing his 

last Army rank and dates of service,

from 1942 to 1946, all unknown to me

while he lived, all gleaned from papers

 

found in his safety deposit box. Will we

ever again feel safe? October 4th, 2001. 

Car still stuck in the garage, tunnel closed,

in a rental car we had to take an unfamiliar

 

route, giving the site a wide berth, the trip

nothing like I had anticipated. Driving

home was worse, the usual welcoming

skyline missing its paired signature spires.

 

A funnel of pale smoke rose in their place.

This almost a month later. I felt cheated,

robbed of the last month of that first year

devoted to grief. Furious, too, the ritual

 

first visit to his grave had been subsumed

in a larger, less personal loss. Ten / four.

Radio operators and pilots still use these

numbers for UnderstoodI hear you;

 

Over and out. I have chosen to spend

the twelfth anniversary of Dad’s death

in a remote corner of Southwest France,

a land he loved, although where he had

 

been or walked, what he might have seen

or heard, he wouldn’t say. The echoing

booms punctuating the gloom are joined

by a hiss, as rain hits the street, and steam

 

rises like smoke from the warm glittering

glassphalt. He must have heard cannon fire

in that hospital behind the front lines where

he made sure there were enough syringes

 

and morphine for the wounded, the dying.

Perhaps he too was afraid, hearing cannons

firing after the armistice, until he learned,

as is explained to me this morning, it was

 

farmers protecting their crops this same way,

shooting at the sky to help clouds fall to earth,

not as destructive hail that will kill the grapes,

but as restful, restorative, healing rain.


 

 

                          

Cris Cheek, “Bomb Site” (multimedia)

 

 O Beautiful

O beautiful for spacious, for amber, for purple

majesties. We carried you in Memorial Day parades,

lowered you as names of the war dead were read,

 

taps played. In a widow’s living room, folded

into a triangle, you lie in a black velvet lined frame

with the spent shell casings fired in salute by soldiers

 

in dress uniform beside the open grave. Above

the fruited plain. In protest we burned you, too,

as we did to against the war in Viet Nam, shouting

 

Hell, No, We Won’t Go! These days, athletes

protest the legacy of slavery by lowering a knee

to the ground when the national anthem, so proudly

 

we hail’d, is played before games, a polite gesture

by comparison with burning in effigy. Is it not

the essence of patriotism to protest, to want to

 

right wrong? Let us crown thy good. In solidarity,

as pledge, let us take responsibility. Take a knee.


 

Cris Cheek, “No War 17” (multimedia)