Cynthia Hogue
November Reign
1
I thought to air
a question I haven’t voiced
hovering-
hovering, a weakness
I’d never confronted,
nor outcome
I could change.
2
The taking
of power once it happened
was a force no one could stop:
ancient and blunt as a flood,
a determined eradication,
appallingly to the point,
contrary for a kick.
3
Say,
another way of being
I’d never understand.
I could take umbrage,
focus on the essential
until it was over and something
mattered again, but the cocoon I’d conjured
4
offered no protection
from the kind of kick that plucks
a delicate bulb ready
to burst and languidly,
between thumb and forefinger,
crushes it
to watch.
Ars Poetica on to free
If to free is an act of hope,
I’ll free associate on the blank
page, fill it with thoughts
I never thought
to write down
until I sat down.
Often I write nothing
I planned to say. In this way,
the page remains free of demand
a space for free-rein
encounters with reality.
Art dedicates
room for self-
liberation from ruthless
objectives and easy beliefs.
“Evident” isn’t evident
anymore but has shifted
with circumstance; once-
facts now ignored,
assumptions of shared
truths empty. Words formalized
in document (life, liberty)
do not change
but their context has.
Let’s write to shield them,
discover their stubborn resistance
to misuse, join the company
of freedom-
writers for liberty itself,
reckoning the stakes
are all-in for harried earth
and earth-beings. I hold this space
hopeful, the blank page I’ve filled
to remember these truths
we hold to be self-
evident that transcend time.
Karen Brennan & Cynthia Hogue
On the Subject of Freedom
1
Vanishing
in an eye blink
breezily fallen down
as we slept through it
nests in pieces
dismantled
Our beds
notwithstanding
a terror
a mirror
for the hearted
broken-
empty-
some hopeful exact thing
‘momentarily’ lost
in the shuffle
We think
we can endure
the lapses
but what of
the intractable
open & shut conversation
2
A dash in a line frees - room for something else -
which isn’t named – Call it blank or ayre,
an emptiness that’s nothing - and everything -
a border open to a fault - a shelter for the unknown -
like a cloud threatening rain -
but harboring possibility –
We perceive the freed space -
a dash carves as open to exploration – matter’s dashing
provenance - Accounting for the mark’s power to liberate -
is to discover the freedom it finds - but cannot contain.